After having my fill. I hear noise under my bed.

Dupa ce am cumparat ce trebuie. Aud zgomote sub pat.
Consumer Logic Visual Product – more!
Individualism gen angajatul lunii isi da intilnire cu traditia fauve – pop - hiperrealism american.
O pictura cu tot ce ai nevoie pentru sanatatea ta culturala.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 120X110 cm, 2004


After having my fill. I hear noise under my bed.
Consumer Logic Visual Product – more!
The best employee of the month individualism hooks up with the fauve – pop - american hiperrealism tradition.
A painting with everything that’s good for your cultural health.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 120X110 cm, 2004

They where waiting for me

Sint zile cind ma asteapta cu portiera deschisa
Gangland is cool – doggy dog vision.
Art deco din perioada prohibitiei cu o urma de oras flamand dupa apusul soarelui, atunci cind politia face razie.
Tacos mexican piperat in suprarealism de ardei iute.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 120X110 cm, 2004


They where waiting for me
Gangland is cool – doggy dog vision.
Prohibition era art deco with a touch of Flemish city after dark, when they bust the joint.
Mexican tacos spiced with Chilly surrealism.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 120X110 cm, 2004

.

These horses do not move up and down

Acesti cai nu se misca in sus si in jos
Horsepowered Consumer Goods – childhood memories. Jockey cu Liz din National Velvet se tavalesc in fin in plin romantism de carusel.
Tehnica impresionista este egalata doar de aplauzele prelungite.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 120X110 cm, 2004


These horses do not move up and down
Horsepower Consumer Goods – childhood memories. National Velvet jockey with Liz takes a hayride with Merry-go-round romanticism.
Impressionist technique is matched only by the standing ovations.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 120X110 cm, 2004

Travel Channel Samba si Trabajo no

Travel Channel Samba si Trabajo no
Pacific Guadalajara Vision – sea resort thirdworldism.
Arta op gen mariachi cu atitudine de hamac.
Relaxare globala in albastru cu gestaltism bronzat.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 110X120 cm, 2004


Travel Channel Samba si Trabajo no
Pacific Guadalajara Vision – sea resort thirdworldism.
Mariachi op art with a hammock attitude.
Global relaxation in blue with sun-tanned gestaltism.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 110X120 cm, 2004

Sint zile cind veveritele nu ma scapa din ochi.

Sint zile cind veveritele nu ma scapa din ochi.
GPS Road Movie product – the CGI version.
Ready made de efecte speciale din era glaciara combinate cu tapiterie interiora ultimul ragnet.
Combinatia perfecta dintre functionalism linistitor si animale de casa preistorice hiper-realiste.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 110X120 cm, 2004


Chipmunks keep an eye on me sometimes.
GPS Road Movie product – the CGI version.
Ready made Ice Age FX with top of the art upholstery.
The perfect combination of soothing functionalism spiced with hyper-realist prehistoric household pets.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 110X120 cm, 2004

Cerul instelat

Cerul instelat
Ivy League Educational Product – Oval Bureau version.
Cerul instelat deasupra noastra si foamea care e in noi sint putin contrariate de situarea gresita In autobaza din Harlem capatul dinspre Cloisters.
Clochardul este defapt un dharma guru care preda politici sociale bulevardiere.
Dinamica proletcultista mixata cu atitudine CBGB.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 145X115 cm, 2004

Blue skies overhead with great hunger underneath
Ivy League Educational Product – Oval Bureau version.
Homeless bum, actually a dharma guru teaches roadside politics.
Proletkult dynamics mixed with CBGB attitude.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 145X115 cm, 2004

Lost in Trucker’s Paradise

Sint zile cind ma trezesc dimineata in paradisul basculantelor
Trucker’s Home Product.
Hai cupleaza, debraiaza, accelereaza din iadul feminist spre motele dragostei.
In timpul penultimului episod din telenovela de miercuri citiva soferi de tir se impaca cu Simone de Beauvoire; interpretari furise de pe Learning Channel.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 120X100 cm, 2004

Lost in Trucker’s Paradise
Trucker’s Home Product.
Keep on trucking out of the Feminist Hell into the Love Motels.
Action painting on the Lost Highway going back to the modernist whole-sale markets; dodgy interpretations on the Learning Channel.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 120X100 cm, 2004

Wherever I go I feel lucky

Peste tot e bine unde ajung
Instant Inner Light & Happiness and other FX.
Neo-bizantinism de pe Naboo cu viziunea contemporana a unor modele vii latino.
Manierismul emigrantilor ilegali face sa mearga curentul pe fir.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

acrilic pe pinza, 120X100 cm, 2004

Wherever I go I feel lucky
Instant Inner Light & Happiness and other FX.
Naboo Neo-Byzantinism with contemporary visions of Latino role-models.
Illegal Emigrants mannerisms keep the juice flowing.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

acrylic on canvas, 120X100 cm, 2004

Wrong trafficator

Wrong trafficator
ulei pe pinza, 120X110 cm, 2004
oil on canvas, 120X110 cm, 2004

Trebuie sa plec. Poate ma repet.

.


Trebuie sa plec. Poate ma repet.
Subway Terminal Product – the full stop version.
Mers pe rosu contemporan prin sistemul de valori inversate.
Critic de arta bautor de bere la halba si fumator ca sarpele si ca turcii s-a jmecherit.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2000

Gotta be outa here
Subway Terminal Product – the full stop version.
Contemporary jay-walking trough the
inverted value system. Keg-drinking, chain-smoking androgynous art critic get’s wicked.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2000

Sint zile cind toate becurile sint galbene.

Sint zile cind toate becurile sint galbene.
More Gulf Clubbing! – visual product.
Un om cu palarie suparat pa becurile de pe o firma ruginita pe care a crescut glicina distruge toate sursele de lumina cu o crosa de golf.
Vizual vorbind asta inseamna ca o tehnica low-concept este folosita intotdeauna din motive legate de sanatate. Colectionar de arta virtual se materializeaza in fata galeriei sale favorite de pe internet.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2001

All the light-bulbs are yellow.
More Gulf Clubbing! – visual product.
A man with a hat destroying all the available light sources with a long, straight tool having a metal ending.
Visually speaking this means that a low-concept technique is always used for health-related reasons. Virtual art collector materializes in front
of his favorite VR Gallery.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2001

Sint zile cind imi place verde. Si nu e nicaieri.

Sint zile cind imi place verde. Si nu e nicaieri.
Tijuana Tourism Board Product.
Zgirie-norii din NY au o sansa la sud de Phoenix, Arizona.
Colectivul de arta Pueblo recupereaza terenul pierdut impotriva dusmanilor de moarte – miscarea Cobra.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2001

I do like green but green is sparse these days.
Tijuana Tourism Board Product.
The Big Apple high-rise gets a chance South of Phoenix, Arizona.
The Pueblo art collective recovers lost ground against their mortal enemies – the Cobra movement.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2001

Sint zile cind toate pisicile sint galbene.

Sint zile cind toate pisicile sint galbene.
Golden Roadside Boy Product – good luck charm.
Tiki neo-pagan se roaga pentru tine si familia ta in timp ce vinde ultima editie a ziarului de dimineata local.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X150 cm, 2002

Yellow Cats rule the city
Golden Roadside Boy Product – good luck charm.
Neo Pagan Tiki prays for you and your family while selling the last edition of the local morning newspaper.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X150 cm, 2002

Sint zile cind nu imi trebuie albastru.

Sint zile cind nu imi trebuie albastru.
Dinner Party product – the free bar tour version.
Un mix cu micul dejun pe gratis de pinza post-impresionista bine patrunsa bogat in fibre.
Ultima doza inainte de mistuirea post-globalismului.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 100X150 cm, 2001

Eating meeting.
Dinner Party product – the free bar tour version.
A free meal of post-impressionist deep fried canvas with high-fiber content.
The last intake before the post-global takeover.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 100X150 cm, 2001